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we can't run upto the old lady at the bus,grasp her hand, but canwatch our way into her, peelher clothes to exposeyoung flesh, seehow eyes flickto a child she recallsdead in his crib. takethe seat with her, knowher list, the friendand meat she picks,how she hates the cold,is used to rain and fineslow rides.For more of Dave's fine work please check out his site: http://davejarecki.com/creative/
I just finished this painting today. It is inspired from a walk I took around my neighborhood this morning. We had 2 inches of snow here in Portland, OR which pretty much brings the city to a halt. Today the sun is out and the sky's are bright blue so all the snow sparkles and shimmers in the light.

I rode the bus down town a few days ago and notices this girl waiting at the bus stop. She had this billowy red cloud of hair that fell all the way down her back.
I remembered as much as I could during that minute stop.
I have never painted from memory like this before. I usually have the sitters in front of me, like in this next picture of my friend Dave. Dave came to my studio for
about three hours to sit for his portrait. He played amazing music for the entire
three hours.I found that I enjoy working from memory. I can simplify details because I no longer have the image in front of me to reference.
But part of the fun in painting portraits is enjoying the sitters company.
Here is a painting of my very beautiful mother.
She came to visit over the weekend from Pittsburgh, PA. We had a great time together cooking and antique shopping.
On her last day we got down to business in the studio. I painted her portrait while she worked on a painting of her own. She painted a lovely autumn landscape. It reminds me of the rolling hills in Southwestern Pennsylvania. I have the painting she made hanging in my studio. Not only is my mom beautiful, she is also a very talented lady.
One of my larger painting, Reflection" (oil on canvass, 48x60") has been selected to be part of the Art in the Embassies program. The destination of my painting is the U.S. Embassy in Doha, Qatar. I was notified a few months ago the the Ambassador, Joseph Lebaron, serving a 3 year term in Qatar was originally from the the Pacific NW.
As part of his diplomatic service, the Ambassador chooses American Art to be placed in the Embassy for the length of his stay. I was fortunate to be invited to participate. To learn more about the program go to http://aiep.state.gov.
I recently had the opportunity to travel on the road with two of my favorite artist, Vortman and Chris Cank. The collaborative team that make up Vorcan. Under the name Vorcan these artists paint to live music all over the US. Here is how the trip went:
First I was told that we were going to Canada to paint the group Eoto. We made it as far as Olympia, Washington, painted Eoto, then turned around and headed south to Eureka, CA to paint the BLVD at the Red Fox Tavern.
This was my first lesson of the life on the road with Vorcan:
Expect plans to change.
The drive down to Eureka was beautiful and we got to stop at a small beach in northern CA for a minute to check out the beautiful sunset over the Pacific Ocean. This still didn't make up for the fact that we weren't going to Canada...
Blvd is an electro-hip hop group based out of San Francisco. They were happy to let us paint during there show and invited us to SF the following night for their CD release party.
Here I am to the left painting to BLVD. And below is a picture of Chris and I painting to the opening band On The One.
These guys rely on sales of their art at these shows, to pay for food and gas to make it to their next gig. Life isn't always easy on the road. Good night = sleeping in hotels. Bad nights = sleeping in the tour bus, which for now is a silver Scion, packed full of art supplies. We hit the road after the BLVD show and made our way further south to San Francisco.
We all took turns driving and catching up on sleep in the vip lounge (aka the back seat). A huge part of success on the road is attributed to the kindness of friends and strangers. A great gift came from our friend Tim, who graciously let us take showers at his house the morning we arrived in SF. And to our friend Anna who let us crash at her house the following night.
Getting gigs isn't always as easy as having the band invite us to continue painting with them. Below is Vortman painting to the BLVD at their CD release party at Slims in SF.
We were pretty successfull at that show and decided to try our luck the following night in San Francisco as well. Calexico was playing at the Fillmore. Since we hadn't previously contaced Calexico or the Fillmore we had to rely on luck and being in the right place at the right time. We arrived at the Fillmore during sound check to try to catch the band to ask permission to paint. This is where the real majic of Vorcan happens. It is alot of waiting outside behind the venues and hoping the right people come out. Hoping they will take a minute to listen to what we want to do, be excited, and allow us to paint them. Fortunately the members of Calexico are awesome, and were excited to have us paint them. Unfortunately their show was sold out and the folks at the Fillmore shut us down. Such is life on the road as a live painter. We decided to take that night off and have a delicious sushi dinner before heading back to Portland. I was happy to be invited to travel with Vorcan, and to see what a challenge their job is.
To read about thier travels in their own words go to www.50dollarlunch.com.